We tend to think of dance as being a specific kind of movement, but there are many non-movement elements that can be found in dance. For example, a great deal of ballet choreography is the work of dancers who use musical instruments or make props for musical performances.
There’s always a performance, in which a dancer or band performs a movement or a moment that feels like it was choreographed. It can be in a small way, in the form of hand movements, but can also be in the form of musical instruments, drumming, dancing. It’s hard to say what it is that we do as performance artists, but the way we do our dance is more of the physical aspects of how a dance movement is performed than anything else.
Did you find it difficult to master ballet or modern dance?
I think I’m still learning new things about ballet. There are things I am interested in, but most of my training for ballet is in the form that has been in my head for 20 years, not what was out there for me to figure out.
That being the case, I think I had a pretty good time learning. I started dancing with an old friend of mine named Tony Manero. He’s a very, very tall, beautiful man with his own style of dance. His style also, is like ballet, but in the form of rock music. So, his dance feels sort of like a cross between ballet and rock music. It’s very unique and very, very exciting. It seemed to help me along the way.
Can you talk a little bit about Tony Manero?
I met him in 2005 at a dance class he was teaching. He came with this little video camera. He brought it with him to class, which I liked. It was really fun. We talked on the phone about my background and danced together until about 3 or 4 in the morning. Then we started dancing together. It was a really good conversation to have, because we started working on a few of our ideas together, and we started making music together.
When we wrote our first music video, it was a bit more exploratory. We felt like that was the only way we could really explore our ideas in a real way. So, we decided to do some kind of video and music video. It was this really wild period.
Can you explain the process of working with a choreographer like Tony Manero? And how did you work together as
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