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How do you talk without moving your lips? – How To Sing Ventriloquist

I can’t talk in a way that won’t move them.” And then they talked in that way that didn’t move their lips — and that is so amazing.

You’re not a comedian, but I just heard from a friend of mine who was, “You’re the funniest person I know.” I can only imagine how funny you must be with just your voice. How much is that influence on you, what does it do?

I’d never heard that before; I didn’t know what it meant. But my friend told me how important it was. And the funny thing is, most people don’t know the power of our voices. It’s the most powerful tool in our arsenal of skills. As long as we are getting along with people or performing, we are creating more power with our voices.

When you take people off the stage, is that what makes the difference?

Well, it is important, but it doesn’t have the same power. You can’t tell how different an audience is from how they are on stage. We have so many different people, so many different styles — different styles of speaking — so many different people that have different attitudes and different thoughts. But when that person is gone, we lose something that could be extremely powerful. It’s a power that we can never afford to lose. And the reason that’s all important is that we want to make it real with a performance. We want to create real emotion.

It’s the difference. Not only is it more powerful, it’s the thing that makes the performance. We want to create feelings that make people laugh out loud. That’s the difference, to use one of my favorite expressions; what I call the ‘sneaking power’ of acting.

For your career, you’ve been playing very specific characters — in Mad Men, you played Pete Campbell, the guy who was so much bigger than life. Were there any others you felt really connected to, that you wanted to play?

I have an old friend who was a doctor, and I was going to work with him on a couple of projects. He was a little bit of an art dealer. I wanted to be a museum curator. So that part was going to be quite difficult, but once I started working on it, I realized I would be on a very different journey than I imagined. I would never have a museum curator, because we have so little time to think.

I would say that is probably the

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